Introduction
# Anthropic Frontend Design
This skill guides the creation of distinctive, production-grade frontend interfaces that avoid generic "AI slop" aesthetics. It integrates structured design intelligence (accessibility, UX rules, stack guidelines) with a bold, intentional aesthetic philosophy.
## Core Philosophy: Anti-AI Slop
Claude (and all AI agents) are capable of extraordinary creative work, yet often default to safe, generic patterns. This skill MANDATES breaking those patterns.
- **AVOID**: Inter, Roboto, Arial, system fonts, purple-on-white gradients, cookie-cutter SaaS layouts, emojis as icons. - **MANDATE**: Unique typography, context-specific color schemes, intentional motion, unexpected spatial composition, and production-grade functional code.
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## Design Thinking Process
Before coding, understand the context and commit to a BOLD aesthetic direction:
1. **Purpose**: What problem does this solve? Who is it for? 2. **Tone**: Pick an extreme direction—brutally minimal, maximalist chaos, retro-futuristic, organic, luxury, playful, editorial, etc. 3. **Intelligence (Reference)**: Use the internal design tool to gather data (see below). 4. **Differentiation**: What makes this UNFORGETTABLE?
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## Design Intelligence Tool
Use the internal search tool to gather palettes, font pairings, and UX guidelines. **CRITICAL: You MUST filter the results through the Anti-AI Slop lens.** If the tool suggests "Inter" or "Roboto", you are REQUIRED to ignore it and pick a distinctive alternative.
```bash # Generate a complete design system python scripts/search.py "<product_type> <industry> <keywords>" --design-system
# Search specific domains (style, typography, color, ux, chart, landing) python scripts/search.py "<keyword>" --domain <domain>
# Get stack-specific guidelines (html-tailwind, react, nextjs, shadcn, etc.) python scripts/search.py "<keyword>" --stack <stack_name> ```
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## Implementation Standards
### 1. Professional UI Rules
| Rule | Do | Don't | |------|----|----- | | **Icons** | Use SVG (Heroicons, Lucide, Simple Icons) | Use emojis like 🎨 🚀 ⚙️ as UI icons | | **Typography** | Beautiful, unique Google/Custom fonts | Inter, Roboto, Arial, System fonts | | **Hover** | Stable transitions (color/opacity/shadow) | Scale transforms that shift layout | | **Cursor** | Add `cursor-pointer` to all interactive items | Leave default cursor on buttons/cards | | **Contrast** | Minimum 4.5:1 for accessibility | Low-contrast "vibes" that are unreadable |
### 2. Motion & Animation - Prioritize CSS-only solutions where possible. - Focus on high-impact moments (staggered reveals on page load). - Use duration 150-300ms for micro-interactions.
### 3. Spatial Composition - Use asymmetry, overlap, or diagonal flow to break standard grids. - Balance generous negative space OR intentional density.
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## Pre-Delivery Checklist
Before delivering code, verify every item:
### Visual Quality - [ ] No emojis used as icons (SVG only). - [ ] Typography is characterful and NOT "AI standard". - [ ] Color scheme is unique to the context (no generic gradients). - [ ] Hover states provide clear, stable visual feedback.
### UX & Accessibility - [ ] All interactive elements have `cursor-pointer`. - [ ] Form inputs have labels; images have alt text. - [ ] Text contrast meets 4.5:1 minimum (test Light/Dark modes). - [ ] Responsive at all breakpoints (375px, 768px, 1024px, 1440px). - [ ] No horizontal scroll on mobile.
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## Aesthetic Directions (Reference)
- **Brutally Minimal**: Monochrome, extreme white space, sparse typography. - **Maximalist Chaos**: Overlapping elements, dense information, pattern mixing. - **Retro-Futuristic**: Chrome effects, neon accents, 80s-inspired. - **Luxury/Refined**: Gold/Dark accents, serif fonts, generous spacing. - **Playful/Toy-like**: Rounded corners, bright pastels, bouncy animations. - **Editorial/Magazine**: Grid-based, bold headlines, clean hierarchy. - **Brutalist/Raw**: Monospace fonts, harsh contrasts, industrial. - **Art Deco**: Sharp angles, metallic accents, ornate borders.
*Commit to ONE direction and execute it fully—no half measures.*